Organ Improvisation in Historical Styles. The Renaissance and Baroque
"Organ Improvisation in Historical Styles. The Renaissance and Baroque album by Chopin University Press on
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Release Date: 2024-05-03T00:00:00.000000Z
Toccata in the Venetian Style of the Late 16th and Early 17th Centuries
Pangue lingua gloriosi: I versus a 2
Pangue lingua gloriosi: II versus a 2
Pangue lingua gloriosi: III versus a 3
Pangue lingua gloriosi: IV versus a 3
Pangue lingua gloriosi: V versus a 5
Intabulation of Wacław of Szamotuły's Motet 'Ego sum pastor bonus'
Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation I
Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation II
Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation III
Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation IV
Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation V
Toccata in the Italian Mannerism Style of the First Half of the 17th Century
Ricercare cromatico
Canzona alla francese
Toccata in the South German Style of the Second Half of the 17th Century
Ciaccona in d
Praeludium in g in the North German Style
Chorale Prelude on the Theme of Psalm 91 'He Who Dwells in the Shelter of the Most High'
Prelude [Free Fantasia] and Aria 'Bist du bei mir': Prelude
Prelude [Free Fantasia] and Aria 'Bist du bei mir': Aria
Concerto in F major: I Allegro
Concerto in F major: II Adagio
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Theme
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita I
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita II
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita III
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita IV
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita V
Prelude and Double Fugue in C major in the Late Baroque Style: Prelude
Prelude and Double Fugue in C major in the Late Baroque Style: Fugue