Negations (from cycle Processes Mainly for the Space of Mind)

Name: Negations (from cycle Processes Mainly for the Space of Mind)
Description: Negations (from cycle Processes Mainly for the Space of Mind) a song by Premek Ondra on Musikstorm | musik kostenlos hören

Negations (from cycle Processes Mainly for the Space of Mind) a song by Premek Ondra on Musikstorm | musik kostenlos hören

(Maybe) Sonata by Miroslav Beinhauer ,
Rational Music by Miroslav Beinhauer ,
Mond-Glass-Fiber-Rohr by Werner Durand ,
Voice Piece for Soprano by Anna Clementi ,
Novelties (from the cycle Processes Mainly for the Space of Mind) by Premek Ondra ,
Voice Piece for Soprano (scream against the wall) by Anna Clementi ,
Piano piece for David Tudor #2 by Agnese Toniutti ,
Voice Piece for Soprano (scream against the wind) by Anna Clementi ,
CELLO WALKING - I. Walk the walk by Deborah Walker ,
Tabchiernchau (Für Sprechen) by Anna Clementi ,
CELLO WALKING - Præludium: cello slow drag by Deborah Walker ,
Foglie d'autunno lentamente trascolorano by Agnese Toniutti ,
Triad No. 2 by Werner Durand ,
Ha He Fu Hi Ho by Residents of the Institute Ostrava Days directed by Eric Andersen ,
Solo for Violin (for Sylvano Bussotti) by Luciano Chessa ,
Tramp Sonate (2021) 11:43 by Brno Contemporary Orchestra by Brno Contemporary Orchestra ,
Negations (from cycle Processes Mainly for the Space of Mind) by Premek Ondra ,
Water by Deborah Walker ,
Untitled by Takako Saito ,
GOOD JEW, after a listen to Julius Eastman's 'Evil Nigger' ver. I by Deborah Walker , Anna Clementi , Miroslav Beinhauer , Werner Durand , Luciano Chessa ,
In Memoriam of John Cage by Miroslav Beinhauer ,
Zen for Record by P.ST. ,
Solo for Sick Man by Miroslav Beinhauer ,
Destroyed Händel & Chopin by S.E.M. Ensemble ,
Man in Field (Sound as "Hero") by Agnese Toniutti ,
Mozart Mix (edit) by Werner Durand , Otto Block ,
Sky Music v. II by Werner Durand , Deborah Walker ,
Video Flag by Nam June Paik ,
Peck and Plunk by P.ST. ,
GOOD JEW, aafter a listen to Julius Eastman Evil Nigger version III by Philip Corner ,