The Use of English in Serious Music

Name: The Use of English in Serious Music
Description: The Use of English in Serious Music a song by Harry Partch on Musikstorm | musik kostenlos hören

The Use of English in Serious Music a song by Harry Partch on Musikstorm | musik kostenlos hören

Bitter Music: June 11, 1935 — Santa Rosa, California by Harry Partch , Warren Burt , Sheila Guymer ,
I am Harry Partch by Harry Partch ,
I'm going to start right off by giving you some sounds… by Harry Partch ,
Bitter Music: June 12 — Federal Shelter, Stockton by Harry Partch , Warren Burt , Sheila Guymer ,
By the Rivers of Babylon by Harry Partch , William Wendlandt , Lee Hoiby , Christine Charnstrom ,
2 Settings from Finnegans Wake: No. 1, Isobel by Harry Partch , Lola Harding , Dorothy Holden , Hilmar Luckhardt ,
Bitter Music: June 13 by Harry Partch , Warren Burt , Sheila Guymer ,
Texts and Music: A Wagnerian Wrestling Match by Harry Partch ,
2 Settings from Finnegans Wake: No. 2, Annah the Allmaziful by Harry Partch , Lola Harding , Dorothy Holden , Hilmar Luckhardt ,
Bitter Music: June 14 by Harry Partch , Warren Burt , Sheila Guymer ,
17 Lyrics of Li Po: A Dream by Harry Partch , William Wendlant ,
Dark Brother by Harry Partch , William Wendlandt , Lee Hoiby , Christine Charnstrom , Fralia Hancock ,
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta by Harry Partch , Warren Burt , Sheila Guymer ,
17 Lyrics of Li Po: An Encounter in the Field by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk by Harry Partch ,
Bitter Music: June 17 by Harry Partch , Warren Burt , Sheila Guymer ,
17 Lyrics of Li Po: On Hearing the Flute by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation by Harry Partch ,
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic) by Harry Partch ,
Bitter Music: July 4 by Harry Partch , Warren Burt , Sheila Guymer ,
17 Lyrics of Li Po: The Intruder by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads by Harry Partch ,
17 Lyrics of Li Po: I am a Peach Tree by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads by Harry Partch ,
17 Lyrics of Li Po: With a Man of Leisure by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads by Harry Partch ,
17 Lyrics of Li Po: A Midnight Farewell by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's by Harry Partch ,
17 Lyrics of Li Po: Before the Cask of Wine by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic by Harry Partch ,
17 Lyrics of Li Po: On the Ship of Spicewood by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: Close Degrees by Harry Partch ,
17 Lyrics of Li Po: By the Great Wall by Harry Partch , William Wendlant ,
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads by Harry Partch ,
The Use of English in Serious Music by Harry Partch ,
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution by Harry Partch ,
Barstow: 8 Hitchhikers' Inscriptions by Harry Partch , William Wendlandt , Lee Hoiby , Christine Charnstrom ,
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions by Harry Partch ,
San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties by Harry Partch , Lee Hoiby , Christine Charnstrom ,
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oed by Harry Partch ,
Life Is too precious to spend It with important people by Harry Partch ,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…" by Harry Partch ,
US Highball: A Musical Account of a Transcontinental Hobo Trip by Harry Partch , William Wendlandt , Lee Hoiby , Christine Charnstrom , Fralia Hancock ,
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and by Harry Partch ,
My Heart Keeps Beating Time by Harry Partch , Philip Blackburn , Liz Schmidt ,
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freight by Harry Partch ,
San Francisco II by Harry Partch , Mark Enslin , Keith Johnson , Arun Chandra , Rick Burkhardt , Lesley Olson , Sarah Wiseman ,
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Bewitched by Harry Partch ,
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation by Harry Partch ,
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation by Harry Partch ,